
Release on August, 2025
Colorful Birds
Artists have been fascinated by birds since ancient times, and musicians are no exception. Inspired by their beauty and their songs, and sometimes by flocks of birds in the sky and their cries that can sometimes seem terrifying, many composers have created a variety of composition with birds as a theme. In particular, the sound of the flute is often likened to a bird, and many composers have left us with songs related to birds, the most well-known of which are from the 18th century onwards: A.Vivaldi's Flute Concerto in D major “The Nightingale”and G.F. Handel's “Sweet Bird”. L. Delibes”The Nightingale”and C.C. Saint-Saëns”The Invisible Flute”. This album features other bird pieces from the 19th century to the present day, inspired by birds, played on the flute and piano, leading you into the mysterious and fascinating world of birds. We hope you will enjoy the colorful world of birds as expressed by composers of the special pieces.


CD Program
Colorful Birds
~for flute and piano~
①Kikuko Maruo:
Landscape with Birds for flute and piano (Commissioned Works)5:05
② Olivier Messiaen: LE MERLE NOIR 6:06
③Charles Camille Saint-Saëns:
PARYSATIS, ACT II: LE ROSSIGNOL ET LA ROSE 3:25
④Theodor Blumer:
Aus der Tierwelt Op.57 A
Ⅲ. Flug der Vogel nach dem Süden. 4:22
⑤Olga Rayeva: Kalavinka-Bird 9:33
Takashi Yoshimatsu: Digital Bird Suite 17:12
⑥Ⅰ. Bird-Phobia 3:52
⑦Ⅱ. Bird in the Twilight 2:32
⑧Ⅲ. Twitter Machine 2:02
⑨Ⅳ. A Bird in the Noon 2:45
⑩Ⅴ. Bird Circuit 5:01
Flute Mizuho Tanaka Piano Gaku Sugibayashi
Kikuko Maruo (born 1953)
Landscape with Birds for flute and piano (Commissioned Works 2024)
Kikuko Maruo is a Japanese contemporary music composer. After graduating from Kobe College's Faculty of Music with a major in composition, she has taught at Kwansei Gakuin Junior College and other institutions, and has composed many instrumental, choral, and voice ensemble pieces. The commissioned work "Landscape with Birds" begins with an Aeolian tone played only on the headjoint of the flute. It is a work that seems to lead you into the mysterious space of the album itself. Particularly it is very interesting to see how special playing techniques were incorporated into the music that Kikuko Maruo created through her detailed dialogue with the performers. This piece depicts a background where birds are present, but also enjoy the world of Kikuko Maruo’s sound through her own words, such as "A landscape where birds are present, a landscape and space where birds seem to appear. The wind and the smell of plants, bamboo groves, clouds, and shining light. It is not a country, but a place called Earth."
Olivier Messiaen (1908-1992)
LE MERLE NOIR (1951)
Born in Vignon in the south of France, Messiaen's talent blossomed from an early age, and he entered the Paris Conservatory at the age of 11. From around 1930, he explored Indian and Greek rhythms and the sounds of birds, and influences of these began to appear in his works. This piece, "Le Merle Noir ", was created in 1951 from his deep fascination with bird sounds, and is filled with mysterious phrases and, in contrast, the strange and almost hysterical calls of birds. It is one of the most important compositions among repertoires for the flute.
Charles Camille Saint-Saëns (1835-1921)
PARYSATIS, ACT II: LE ROSSIGNOL ET LA ROSE (1902)
The French composer, Charles Camille Saint-Saëns, showed exceptional talent from an early age, entering the Paris Conservatory at the age of 13, and working as an organist after graduation. He subsequently worked as a freelance pianist and conductor. When he was young, he admired the pioneering musicians of the time, such as Liszt and Wagner, but he maintained a classical attitude, and even after his maturity he showed a tendency towards neoclassicism such as the works of Stravinsky. However he was conservative, devoting himself to French Baroque composers such as Rameau and Lully. He composed 12 pieces of incidental music for theatrical arts from 1850 to 1916, and the one featured on this CD premiered in 1902 to great acclaim. This is one of his incidental music pieces written based on past tales and forms, and the original piece was written for soprano and orchestra.
Theodor Blumer (1881-1964)
Aus der Tierwelt Op.57 A
III. Flug der Vogel nach dem Süden.
Theodor Blumer was born in Dresden in 1881, and from 1931 he served as conductor of the Dresden Radio Symphony Orchestra and other musical organizations. As a composer, he composed piano solo pieces, sonatas for violin and flute, music for string orchestras, and chamber music. His work “From Animal Kingdom” for flute and piano consists of six pieces, with the titles: 1.The Fox Hunt, 2.The Swan, 3.Birds of Passage, 4.The Shepherd with His Flock, 5.The Gypsy with His Dancing Bear, 6.The Gazelle. The third movement of this piece depicts a migratory bird flying fast and purposefully to a warmer country before the arrival of winter, and the narrative quality expressed through the interplay between the flute and piano is also a highlight of this piece.
Olga Rayeva (born 1971)
Kalavinka-Bird (2011)
Olga Rayeva was born in Moscow and studied under E.W. Denisov and V. Tarnopolsky at the Tchaikovsky Conservatory. Her works have been performed at numerous festivals by renowned ensembles and conductors, including the Arditi Quartet, Klangforum Vienna, Ensemble Modern, and the Schoenberg Ensemble. The "Kalavinka-Bird" is a Buddhist term for a mythical creature that lives in the Pure Land. It is said to have a sweet voice even before it hatches from its egg, and in paintings, temple murals, and ritual objects, the bird is depicted with the face of a beautiful woman, dancing and playing a flute. According to Rayeva,the Karavinka's song is a message of joy, tinged with sadness which is very similar to the Slavic myths of the sad bird Sirin and the joyful bird Alkonost, (both half bird and half woman). She also said that this work is meant in some way to be a message to her daughter. This piece was premiered in Japan, by this duo, in 2023.
Takashi Yoshimatsu (born 1953)
Digital Bird Suite (1982)
Takashi Yoshimatsu was born in Tokyo and studied musical composition by himself. His 1980 piece "Elegy for the Crested Ibis" was an orchestral work that started his "Bird Series," and he has composed many bird pieces since then. His 1982 "Digital Bird Suite" was commissioned and premiered by Michio Kai. According to the composer's commentary, "It is set as a fictional suite from fictional music for a fictional ballet with a mechanical bird, the Digital Bird, as the main character." It is the composer's first work which he regards as “pop” rather than “serious “, and “digital”rather than “analog “, likening it to a departure from contemporary classical music to the light steps of a bird. 1.Bird-phobia 2.A Bird in the Twilight 3.Twitter Machine 4.Bird in the Noon 5.Bird Circuit
Track Description
Artist Profile
Mizuho Tanaka (Flute)
After graduating from the Toho Gakuen School of Music, majoring in flute, she went to the UK to study with Trevor Wye at "The Flute Studio" (five people only are selected from around the world for his class) and she graduated from this school. She was awarded a scholarship to the master class at the Conservatoire de Sion in Switzerland where she then studied. In the UK, she formed the trio "Bilitis" with Ana Benić who is currently with the Croatian Symphony Orchestra and Sophie Munoz from Paris NS and held regular concerts. After returning to Japan she has performed as a guest with professional orchestras such as the Kyushu Wind Orchestra, the Osaka Symphony Orchestra, and the Hyogo Performing Arts Center Orchestra. She has also performed in a variety of concerts such as solo recitals, string quartets, and performances with guitars, as well as performing chamber music, and is involved in a variety of activities such as teaching the next generation of flute players in various locations in Japan and planning Trevor Wye flute seminars. She is a teacher at the Muramatsu Flute School Cosmic Hall, and at Reiwa Music Academy. She runs her own M's Flute Studio. She is a board member of the Kansai Toho Gakuen School of Music Alumni Association. She studied flute with Toyoko Yamaguchi, Mitsue Ishida, the late Ryu Noguchi, Trevor Wye, Patricia Morris, Paul-Edmund Davis, and Felix Rengli. She studied chamber duet sonata under the late Clifford Benson, the late Kazuoki Fujii, and Akira Shirao, and flute traverso with Rachel Brown. Her first album, "Schatzkästlein”〜Gems for Flute and Guitar〜 (Fl. Mizuho Tanaka, Gt. Takeshi Hashiguchi) was released in 2019 by Time Machine Records.
Gaku Sugibayashi (Piano)
After graduating from Toho Gakuen School of Music, he studied in Europe. He graduated at the top of his class from the Master’s Program in Lied and Oratorio Correpetition and the Master’s Program in Instrumental Correpetition at the University of Music and Performing Arts Vienna, as well as at the Chamber Music University Education Program. He has studied piano with Asako Ueda, Fujiko Yamada, Stephan Moeller, Sunsook Kang, Laurent Brey, and has studied Lied Oratorio Vocal and Correpetition with the late Carolyn Haig, instrumental correpetition and chamber music with Denise Benda and Evgeny Sinaiski, piano and chamber music with Luca Monti and the late Paul Badura-Skoda. He has received awards both in Japan and abroad, including the Excellence Award at the Japan Piano Teachers’ Federation Audition, the best Newcomer Award at the Tokyo International Arts Association Newcomer Audition, the Schubert Prize at the Rosario Marciano International Piano Competition (Austria), 3rd place at the Pinerolo Turin International Chamber Music Competition (Italy), 1st place and Audience Award in the Duo category at the Osaka International Music Competition, and 3rd place at the Boulder International Duo Competition (USA). In 2021, he founded the Edelberg Music School with vocalist Takako Sugibayashi. Two albums, "Lyric" and "Live in Osaka," as well as a duo album with Takako Sugibayashi, "Opus," have been released by Sereno Music Enterprises. In 2024, he received two awards: the Higashikuninomiya Memorial Award and Cultural Award.